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Results for 'emma chambers'
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Ithell Colquhoun: Between Worlds
Katy Norris is Exhibitions and Displays Curator at Tate St Ives, a researcher and writer specialising in women artists, feminism and social reform movements in Britain during the early twentieth century. She formerly held the position of Curator at Pallant House Gallery where she devised collection displays and temporary exhibitions. She has worked as editor and advisor for the Modern Women Artists book series published by Eiderdown Books and has contributed her research to the British Art Network’s Women Artists Subgroup. Emma Chambers is Curator, Modern British Art at Tate Britain. Norah Bowman is Chair of Interdisiplinary Studies and Professor in the English Literature Department at Okangan College in British Columbia. Victoria Ferentinou is Assistant Professor at the University of Ioannina teaching art theory and history of art. Dr. Amy Hale is an Atlanta-based writer, curator, and critic, ethnographer and folklorist, speaking and writing about esoteric history, magic, art, culture, women and Cornwall. She writes and speaks on topics as diverse as psychogeography, Pagan religious tourism, colour theory, and politics in modern Paganism. Hale has written widely on the surrealist and occultist Ithell Colquhoun, and in 2009 she received a grant from the Paul Mellon Foundation for her research. As a gallery writer and essayist, she has contributed essays for Tate, Burlington Contemporary, The Australian Centre for Contemporary Art, Correspondences Journal, Camden Arts Centre, Art UK, Arusha Galleries, Heavenly Records and Spike Island, Bristol. She is an exhibition consultant for the upcoming exhibition on Colquhoun at Tate St Ives. Giles Jackson is Curator, Interpretation at Tate St Ives. Victoria Jenkins is a Warwickshire born, London based artist and author and is an archivist at Tate. Her work concerns the relationship between art, the occult and popular culture. Bharti Kher is an artist working across painting, sculpture and installation. Tai Fenix Kulystin is a writer and magical practitioner. Jacqui McIntosh is Curator at the College of Physic Studies and previously Curator of The Drawing Room. Alyce Mahon is Reader in Modern and Contemporary Art History at the University of Cambridge. Astrida Neimanis is Canada Research Chair in Feminist Environmental Humanities at the University of British Columbia Okanagan. Sarah Pucill is a film artist and producer. Gwenno Mererid Saunders is a Welsh-Cornish musician. Tai Shani is the Turner Prize winning artist working across performance, film, photography, experimental texts and sculptural installations. Emma Sharples is a researcher of modern British art and visual culture. She has presented her research at the Paul Mellon Centre, Tate Britain and the Fitzwilliam Museum, Cambridge, and in 2022 co-convened the British Art Network-funded seminar ‘Curating Magic’. Alongside her doctoral work, she is currently undertaking an AHRC-funded Exhibitions and Displays placement with Tate St Ives. Richard Shillitoe is an author and specialist on the life and work of Ithell Colquhoun. Linder Sterling, known as Linder, is a renowned artist, acclaimed for her photomontages, radical feminism and performances.
€ 44,50 -
Ithell Colquhoun: Between Worlds
Katy Norris is Exhibitions and Displays Curator at Tate St Ives, a researcher and writer specialising in women artists, feminism and social reform movements in Britain during the early twentieth century. She formerly held the position of Curator at Pallant House Gallery where she devised collection displays and temporary exhibitions. She has worked as editor and advisor for the Modern Women Artists book series published by Eiderdown Books and has contributed her research to the British Art Network’s Women Artists Subgroup. Emma Chambers is Curator, Modern British Art at Tate Britain. Norah Bowman is Chair of Interdisiplinary Studies and Professor in the English Literature Department at Okangan College in British Columbia. Victoria Ferentinou is Assistant Professor at the University of Ioannina teaching art theory and history of art. Dr. Amy Hale is an Atlanta-based writer, curator, and critic, ethnographer and folklorist, speaking and writing about esoteric history, magic, art, culture, women and Cornwall. She writes and speaks on topics as diverse as psychogeography, Pagan religious tourism, colour theory, and politics in modern Paganism. Hale has written widely on the surrealist and occultist Ithell Colquhoun, and in 2009 she received a grant from the Paul Mellon Foundation for her research. As a gallery writer and essayist, she has contributed essays for Tate, Burlington Contemporary, The Australian Centre for Contemporary Art, Correspondences Journal, Camden Arts Centre, Art UK, Arusha Galleries, Heavenly Records and Spike Island, Bristol. She is an exhibition consultant for the upcoming exhibition on Colquhoun at Tate St Ives. Giles Jackson is Curator, Interpretation at Tate St Ives. Victoria Jenkins is a Warwickshire born, London based artist and author and is an archivist at Tate. Her work concerns the relationship between art, the occult and popular culture. Bharti Kher is an artist working across painting, sculpture and installation. Tai Fenix Kulystin is a writer and magical practitioner. Jacqui McIntosh is Curator at the College of Physic Studies and previously Curator of The Drawing Room. Alyce Mahon is Reader in Modern and Contemporary Art History at the University of Cambridge. Astrida Neimanis is Canada Research Chair in Feminist Environmental Humanities at the University of British Columbia Okanagan. Sarah Pucill is a film artist and producer. Gwenno Mererid Saunders is a Welsh-Cornish musician. Tai Shani is the Turner Prize winning artist working across performance, film, photography, experimental texts and sculptural installations. Emma Sharples is a researcher of modern British art and visual culture. She has presented her research at the Paul Mellon Centre, Tate Britain and the Fitzwilliam Museum, Cambridge, and in 2022 co-convened the British Art Network-funded seminar ‘Curating Magic’. Alongside her doctoral work, she is currently undertaking an AHRC-funded Exhibitions and Displays placement with Tate St Ives. Richard Shillitoe is an author and specialist on the life and work of Ithell Colquhoun. Linder Sterling, known as Linder, is a renowned artist, acclaimed for her photomontages, radical feminism and performances.
€ 55,50 -
Whispers of the Unknown
€ 12,50 -
Artists Series: Gwen John
Emma Chambers is curator for Modern British Art at Tate.
€ 16,50 -
...Or For Worse
Loving Your Husband Through Hard Times€ 15,95 -
Walter Sickert
Curator Emma Chambers’s Walter Sickert is a comprehensive new monograph on the artist accompanying a major Tate Britain exhibition. Walter Sickert was one of the most influential artists of the late 19th and early 20th centuries. An apprentice of Whistler and close associate of Degas, he engaged with the work of French artists of the time. Sickert in turn influenced many British painters up to the present day. This book shows how Sickert transformed the representation of everyday life, with his innovative approach to subject matter, radical compositions, and the evocation of the materiality of existence in paint. It will explore the changing nature of his work—from an impressionistic approach in the 1880s to a pioneering use of photography in the 1930s—and how he returned over and over to locations and subjects, including his penetrating self-portraits. Sickert’s imagination was fueled by news and current events such as the Camden Town Murders and newspaper photography, but also by popular culture—music halls, the stage, the rise of cinema and celebrity. Accompanying a major exhibition of one of the central figures in British art and the first exhibition dedicated to Sickert at Tate since 1960, this monograph features over 200 images from the exhibition and a wide range of essays by scholars, as well as reflections on Sickert’s relevance and influence by a selection of contemporary painters including Kaye Donachie and Somaya Critchlow.
€ 54,00 -
Governing Cultures
Art Institutions in Victorian London'... a must-have for anyone seriously studying or documenting the history of nineteenth-century institutional tastes.' Nineteenth Century Studies 'One of the main assests of Governing Cultures lies in the sheer amount of new information and insight that it yields about important but often hard-to-research or relatively short-lived (even esoteric) institutions... In all cases, the authors do much more than marshal facts; they also offer new and compelling perspectives on how culture was aesthetically absorbed, transformed, and disseminated by Victorian artists, critics, dealers, the public at large. In addition, the extensive bibliography is extremely useful, and the entire book qualifies as a must-have for anyone seriously studying or documenting the history of nineteenth-century institutional tastes.' Susan P. Casteras Nineteenth Century Studies, 2002
€ 46,95 -
An Indolent and Blundering Art?
The Etching Revival and the Redefinition of Etching in EnglandFirst published in 1999, Chambers explores English etching changed that radically during the nineteenth century, opening with a description of the use of language and art criticism to redefine etching.
€ 46,95 -
An Indolent and Blundering Art?
The Etching Revival and the Redefinition of Etching in EnglandFirst published in 1999, Chambers explores English etching changed that radically during the nineteenth century, opening with a description of the use of language and art criticism to redefine etching.
€ 159,50 -
Governing Cultures
Art Institutions in Victorian London'... a must-have for anyone seriously studying or documenting the history of nineteenth-century institutional tastes.' Nineteenth Century Studies 'One of the main assests of Governing Cultures lies in the sheer amount of new information and insight that it yields about important but often hard-to-research or relatively short-lived (even esoteric) institutions... In all cases, the authors do much more than marshal facts; they also offer new and compelling perspectives on how culture was aesthetically absorbed, transformed, and disseminated by Victorian artists, critics, dealers, the public at large. In addition, the extensive bibliography is extremely useful, and the entire book qualifies as a must-have for anyone seriously studying or documenting the history of nineteenth-century institutional tastes.' Susan P. Casteras Nineteenth Century Studies, 2002
€ 159,50