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Omschrijving
The best chapters in Ms. Pyne's book marry fine scientific explanation with cultural history and surprising twists.
The best chapters in Ms. Pyne's book marry fine scientific explanation with cultural history and surprising twists.
Lively, thought-provoking, and consistently surprising, this book forces us to think deeper about what authenticity and fakery really mean, at a time when such matters could hardly matter more. Lydia Pyne is the real deal.
Full of diverting tales.
In turns thought-provoking and entertaining, Genuine Fakes is a vital book in a world of fake news and the search for authenticity. It is an eloquent and surprising exploration of the objects around us, which compels us to ask where we draw the line between real and fake. Sometimes authenticity is no more important than a good story.
Genuine Fakes is full of fascinating stories about what Pyne shows is the thin and permeable line between real and fake in many more areas than I thought possible to combine so interestingly and gracefully. The book is packed with the human foibles that leave us vulnerable to the fake when our dreams are too big to be contained in the real.
In this fascinating, interdisciplinary study, Lydia Pyne challenges us to reflect on the social factors that inspire the creation of replicas, simulations, and forgeries. Ambitious in scope and engagingly written, Genuine Fakes is an authentically wonderful read.
Lydia Pyne is a writer and historian, interested in the history of science and material culture. She has degrees in history and anthropology and a PhD in history and philosophy of science from Arizona State University, and is currently a visiting researcher at the Institute for Historical Studies at the University of Texas at Austin. Her field and archival work has ranged from South Africa, Ethiopia, Uzbekistan and Iran to the American Southwest. Lydia's writing has appeared in The Atlantic, History Today, Time, The Scientist, Lady Science and Electric Literature as well as The Public Domain Review, and her previous book was Seven Skeletons, the story of human origins.
The best chapters in Ms. Pyne's book marry fine scientific explanation with cultural history and surprising twists.
Lively, thought-provoking, and consistently surprising, this book forces us to think deeper about what authenticity and fakery really mean, at a time when such matters could hardly matter more. Lydia Pyne is the real deal.
Full of diverting tales.
In turns thought-provoking and entertaining, Genuine Fakes is a vital book in a world of fake news and the search for authenticity. It is an eloquent and surprising exploration of the objects around us, which compels us to ask where we draw the line between real and fake. Sometimes authenticity is no more important than a good story.
Genuine Fakes is full of fascinating stories about what Pyne shows is the thin and permeable line between real and fake in many more areas than I thought possible to combine so interestingly and gracefully. The book is packed with the human foibles that leave us vulnerable to the fake when our dreams are too big to be contained in the real.
In this fascinating, interdisciplinary study, Lydia Pyne challenges us to reflect on the social factors that inspire the creation of replicas, simulations, and forgeries. Ambitious in scope and engagingly written, Genuine Fakes is an authentically wonderful read.
Lydia Pyne is a writer and historian, interested in the history of science and material culture. She has degrees in history and anthropology and a PhD in history and philosophy of science from Arizona State University, and is currently a visiting researcher at the Institute for Historical Studies at the University of Texas at Austin. Her field and archival work has ranged from South Africa, Ethiopia, Uzbekistan and Iran to the American Southwest. Lydia's writing has appeared in The Atlantic, History Today, Time, The Scientist, Lady Science and Electric Literature as well as The Public Domain Review, and her previous book was Seven Skeletons, the story of human origins.