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Omschrijving
"Succinct, authoritative, well-contextualized. . . .Stirton's narrative throws new light on the most renowned modern typographer of the twentieth century."—Jeremy Aynsley, Journal of Design History
“The book is well illustrated with many unfamiliar examples (all well placed near their text references) and forms a useful addition to the literature covering this immensely creative period in the history of typographic design” — Edward Wates, Forum 38
"Succinct, authoritative, well-contextualized. . . .Stirton's narrative throws new light on the most renowned modern typographer of the twentieth century."—Jeremy Aynsley, Journal of Design History
“The book is well illustrated with many unfamiliar examples (all well placed near their text references) and forms a useful addition to the literature covering this immensely creative period in the history of typographic design” — Edward Wates, Forum 38
Paul Stirton is associate professor of modern European design history at Bard Graduate Center in New York City and the editor-in-chief of West 86th: A Journal of Decorative Arts, Design History, and Material Culture.
“The book is well illustrated with many unfamiliar examples (all well placed near their text references) and forms a useful addition to the literature covering this immensely creative period in the history of typographic design” — Edward Wates, Forum 38
"Succinct, authoritative, well-contextualized. . . .Stirton's narrative throws new light on the most renowned modern typographer of the twentieth century."—Jeremy Aynsley, Journal of Design History
“The book is well illustrated with many unfamiliar examples (all well placed near their text references) and forms a useful addition to the literature covering this immensely creative period in the history of typographic design” — Edward Wates, Forum 38
Paul Stirton is associate professor of modern European design history at Bard Graduate Center in New York City and the editor-in-chief of West 86th: A Journal of Decorative Arts, Design History, and Material Culture.