Neorrealismo y cine en Cuba
Historia y discurso entorno a la primera polémica de la Revolución, 1951-1962
Anastasia Valecce
Neorrealismo y cine en Cuba
Historia y discurso entorno a la primera polémica de la Revolución, 1951-1962
Anastasia Valecce
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Omschrijving
Examines the aesthetic history and relations between Cuban film production and Italian Neorealism. The historical framework begins in 1951 before the triumph of the Cuban Revolution and ends in 1962, a year that marks a rupture between Cuban filmmakers and the Italian neorealist aesthetic.
Anastasia Valecce is an associate professor of Hispanic studies in the Department of World Languages and Cultures at Spelman College. Her research centers on contemporary Caribbean studies with a special focus on Cuba, Puerto Rico, and the Dominican Republic. Her work includes film studies, queer and gender studies, visual art, visual culture, literature, performance studies, and pop culture. Her latest works include articles on contemporary cultural, visual, film, and queer productions in Puerto Rico, contemporary queer Dominican cinema, and on the digital era and the internet in contemporary Cuba.
Anastasia Valecce is an associate professor of Hispanic studies in the Department of World Languages and Cultures at Spelman College. Her research centers on contemporary Caribbean studies with a special focus on Cuba, Puerto Rico, and the Dominican Republic. Her work includes film studies, queer and gender studies, visual art, visual culture, literature, performance studies, and pop culture. Her latest works include articles on contemporary cultural, visual, film, and queer productions in Puerto Rico, contemporary queer Dominican cinema, and on the digital era and the internet in contemporary Cuba.