Room to Dream
David Lynch & Kristine McKenna
Room to Dream
David Lynch & Kristine McKenna
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Omschrijving
If you expected a David Lynch biography to be just like any other biography, you've never seen a David Lynch movie . . . Fascinating
A hybrid biography bulging with more than 100 interviews . . . it shows us Lynch the artist, the director, the lover, the child . . . Room to Dream provides contours and edges, brief splashes of insight and teasing tugs on the line. But the man at the centre remains a beautiful mystery . . . Illuminating
Lynch is the master of the perverse, the unsettling and the plain bonkers
Lynch's life as an artist is genuinely fascinating, and his observations on it are illuminating
Intriguing . . . David Lynch has never lacked room to dream, for which we and he must thank our lucky stars
David Lynch's memoir illuminates the origins of his art . . . the humour and eccentricity of Mr Lynch's own reminiscences and observations are the book's main pleasure
Reassuringly unconventional . . . Engrossing . . . Lynch writes like he speaks. He's disarmingly direct, cheerfully profane and prone to bursts of giddy enthusiasm
Room to Dream is a memorable portrait of one of cinema's great auteurs . . . Provides a remarkable insight into Lynch's intense commitment to the "art life", from his painting, photography and music to furniture design
With the publication of Room to Dream, he has sought to reinvent the celebrity memoir
Playfully disrupts the genre of memoir-writing
David Lynch advanced to the front ranks of international cinema in 1977 with the release of his first film, the startlingly original Eraserhead. Since then, Lynch has been nominated for three Best Director Academy Awards, for The Elephant Man, Blue Velvet and Mulholland Drive, awarded the Palme d'Or for Wild at Heart and established himself as an artist of tremendous range and wit. In 1990, Twin Peaks mania swept the world. A new season of Twin Peaks aired in May 2017 to widespread acclaim. @DAVID_LYNCH
Kristine McKenna is a widely published critic and journalist who wrote for the Los Angeles Times from 1977 to 1998. Her profiles and criticism have appeared in Artforum, The New York Times, Artnews, Vanity Fair, The Washington Post and Rolling Stone Magazine.