Lucrecia Martel
Gerd Gemünden
Lucrecia Martel
Gerd Gemünden
Hardback / gebonden
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Engels
€ 130,50
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Omschrijving
"Journalists discovered Lucrecia Martel with her last film, but scholars like Gerd Gemünden were already paying attention to her extraordinary body of work. Now, Gemünden analyzes the complexities of the Martel universe with a combination of cinematic precision and historical knowledge, unpacking her references and delineating her acute specificity of place. A welcome volume and likely an instant classic."--B. Ruby Rich, editor, Film Quarterly
"Journalists discovered Lucrecia Martel with her last film, but scholars like Gerd Gemünden were already paying attention to her extraordinary body of work. Now, Gemünden analyzes the complexities of the Martel universe with a combination of cinematic precision and historical knowledge, unpacking her references and delineating her acute specificity of place. A welcome volume and likely an instant classic."--B. Ruby Rich, editor, Film Quarterly
Gerd Gemünden is professor of German studies, film and media studies, and comparative literature at Dartmouth College. His books include Continental Strangers: German Exile Filmmakers in Hollywood, 1933–1950 and A Foreign Affair: Billy Wilder's American Films.
"In a superb and richly documented in-depth reading of Lucrecia Martel's filmic oeuvre, Gerd Gemünden places her firmly within the context of Argentina's vibrant New Cinema of the last twenty years, while also making a convincing case for her to be considered a leading filmmaker of our time."—Jens Andermann, author of New Argentine Cinema
"Journalists discovered Lucrecia Martel with her last film, but scholars like Gerd Gemünden were already paying attention to her extraordinary body of work. Now, Gemünden analyzes the complexities of the Martel universe with a combination of cinematic precision and historical knowledge, unpacking her references and delineating her acute specificity of place. A welcome volume and likely an instant classic."--B. Ruby Rich, editor, Film Quarterly
"In a superb and richly documented in-depth reading of Lucrecia Martel's filmic oeuvre, Gerd Gemünden places her firmly within the context of Argentina's vibrant New Cinema of the last twenty years, while also making a convincing case for her to be considered a leading filmmaker of our time."—Jens Andermann, author of New Argentine Cinema
Gerd Gemünden is professor of German studies, film and media studies, and comparative literature at Dartmouth College. His books include Continental Strangers: German Exile Filmmakers in Hollywood, 1933–1950 and A Foreign Affair: Billy Wilder's American Films.