The Golden Thread
Irish Women Playwrights, Volume 1 (1716-1992)
The Golden Thread
Irish Women Playwrights, Volume 1 (1716-1992)
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Omschrijving
Sold as a multi-volume set – the individual volumes are also available for purchase.
This two-volume edited collection illuminates the valuable counter-canon of Irish women’s playwriting with forty-two essays written by leading and emerging Irish theatre scholars and practitioners.
'Spanning from the eighteenth-century to the present day, The Golden Thread brings together the work of leading scholars in Irish theatre and women’s writing with that of theatre practitioners to recover the often-hidden contributions of women playwrights. The collection develops a counter-canon of Irish playwrights that examines issues of class, sexuality, and disability.'
Colleen English, The New Books Network
'This is one of those indispensable works that will influence the future of performance studies and feminist criticism. The number and variety of voices on display, the effort in the reconstruction of the canon by adding women playwrights who had been erased in the past, and the declared ambition to draw attention to and create the conditions for revivals and publications of plays created by contemporary women playwrights make this extensive compilation more than recommendable. [....] All in all, a very enjoyable edition, which makes for a rewarding read and provides essential information.'
María Gaviña-Costero, Estudios Irlandeses
'In a word, The Golden Thread: Irish Women Playwrights, 1716–2016... is superb. This two-volume collection showcases writers familiar and less familiar, offers valuable context and incisive textual readings, attends to performance as well as stagecraft, and ranges among historical periods and critical approaches.'
Prof. Paige Reynolds, English Studies
‘The Golden Thread is an ambitious, richly textured and multifaceted research piece that opens up the field of Irish theatre studies in most fruitful ways. It offers a robust counteracting to the under-representation of Irish women playwrights in the canon and is a strong incentive for producers to revive their work… a most valuable book for anyone interested in Irish studies, in Irish theatre studies and also for anyone interested in an alternative history of Irish theatre.’ Hélène Lecossois, Études irlandaises
David Clare is Lecturer in Drama and Theatre Studies at Mary Immaculate College, University of Limerick. Fiona McDonagh is Lecturer in Drama and Theatre Studies at Mary Immaculate College, University of Limerick. Justine Nakase is Adjunct Lecturer at Portland State University.